You CAN Learn From Others’ Mistakes

I’m an avid reader—and writer.

And I’ve come to this conclusion: we writers need to read examples of good writing. We can learn so much from reading the works of renowned authors.

Sentence structure, plotting, character development, just to name a few.

But we also need to read the works of beginning authors and perhaps those not so “accomplished” writers. We will see mistakes that weaken their stories, make plots confusing, make characters flat and unappealing, and so on.

By contrasting the two writing examples, we can identify strengths and weaknesses in our own writing. We can learn from writers at both extremes.

And strive for perfection!!

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Reading and Writing

Writers like to read. Need to read.

Not just pleasure reading, which is a “given”.  But also reading about writing. The craft. Punctuation and grammar to be sure, but also reading about genres, point-of-view, voice, character development, plot and hundreds of more things we need to consider—need to master—in pursuit of excellence in writing.

James Scott Bell’s How to Write Dazzling Dialogue and Steven Pressfield’s Turning Pro are two books to add to your library.But don’t forget to pleasure-read, too. 

“All work, and no play, makes Jack a dull boy.”

I read that somewhere…

Balancing Act

If you’re anything like me, you have a stack of books somewhere in your house that keeps getting taller. It seems like every book you read is replaced by one or two more!

The fact is, writers like to read. Need to read.

I’m not just talking about pleasure reading, which is a “given”. Every writer I have ever met has told me that it was the love of reading that sparked within them the desire to write.

No, I’m talking about reading about writing. The craft. Punctuation and grammar to be sure, but also reading about genres, point-of-view, voice, character development, plot and hundreds of more things we need to consider—need to master—in pursuit of excellence.

Once I started writing, I quickly realized the necessity of erecting two stacks of books. One I dubbed “Pleasure”; the other, simply “About Writing”. I have a rule concerning these books: Read from both stacks, simultaneously, so that I fulfill my need for learning AND for enjoyment.

So, what’s next on my stacks? James Scott Bell’s How to Write Dazzling Dialogue and Steven Pressfield’s Turning Pro are on top of the “About Writing” stack. And for pleasure, next up is Chapel Springs Revival by Ane Mulligan.

So, whether you keep an actual physical stack of books, like I do, or simply a list of “Must Reads”, my suggestion is that you try to balance your reading. After all, didn’t you hear this expression as a child? “All work, and no play, makes Jack a dull boy.”

 

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