suspense

Remember Me: A Sonnet for Marigold

Posted on by Brenda Poulos

I’ve blogged to readers and writers about book covers, “Hooks,” keywords, suspense, punctuation, back cover blurbs, choosing one’s audience, marketing, pen names, and so on. 

Can any one single book can possibly deliver on all fronts?

This one comes close. From cover-to-cover, Remember Me: A Sonnet for Marigold, was written with each aspect of the writing process in mind.

Here are excerpts from the back cover copy and blurb, along with the stunning cover. Who wouldn’t be drawn into this story?

Does true love really last forever? Author Mia Michaels creates a world where all reason is lost to the magic of love.

From the moment Mike’s plane crashes, Natalie’s world is turned upside down. As she struggles to remember the details of her life after suffering a brain injury in the same crash that killed Mike, a shocking revelation about an affair with the handsome pilot surfaces, leaving her questioning everything. 

Almost losing Natalie in the horrific incident gives Paul a wake-up call. He is determined to be the husband she needs, but at every turn, someone tries to sabotage their new commitment to one another. Who is sending her gifts, trying to turn her heart away from Paul? And what is the role of Mari and Pierre, two mysterious figures who seem to be connected to this love triangle?

 If only Natalie’s memory would return, perhaps she and Paul could rebuild their relationship before it’s too late.

Just when you think you’ve figured out the truth behind this love triangle, author Mia Michaels throws in an unexpected twist in this gripping Romantic Suspense novel. Remember Me will leave readers on the edge of their seats. Sprinkled with humor and a dash of fantasy, you’ll find everything you like—and more—in this modern breakout novel.

Don’t miss this unpredictable journey of true love. BUY NOW on Amazon.com

Making Comparisons

Posted on by Brenda Poulos

Last week, we talked about Hyperboles. This week, we’ll focus on The Simile and The Metaphor.

These are also descriptions using figurative (non-literal) language, but they are not necessarily exaggerations.

They are both used to compare two things, actions, or ideas that are not alike. They make writing more descriptive, persuasive, and poetic. Writers of fiction, poetry, and song lyrics often use either or both similes and metaphors. 

An easy way to tell them apart is that metaphors do not use the words “as” or “like,” whereas similes do.

Example of a famous metaphor: Eyes are windows to the soul.

Here, the meaning is implied through comparison—that a person’s eyes can reveal a lot of information to the observer.

Example of a well-know simile: Without glasses, my father is as blind as a bat.

Here, the meaning is that someone’s vision is poor. He is not blind; he just needs to wear glasses.

I see the use of similes and metaphors more and more today, especially in historical fiction, suspense, and YA.

Foreshadowing

Posted on by Brenda Poulos

 

47572746831_4dd6b67740

 

There are many literary devices.

Writers use a good deal of them—often without knowing it. 

Foreshadowing is one that really packs a punch.

It is a literary device used to give the reader a hint of what is to come later in the story. It often appears at the beginning of a story, or start of a chapter.

To create foreshadowing, a writer may use dialogue, action, even chapter titles. These create an atmosphere of suspense, building reader anticipation as to what might happen next. For this reason, this device is most often used in mystery novels.

Here is just one example in literature, (From Act 2 in Romeo and Juliet by Robert Francis): “Life were better ended by their hate, than death prorogued, wanting of thy love.” 

Here, Juliet is concerned about Romeo’s safety. Romeo says he’d rather have her love (and die sooner) than not have it (and die later).

We all know what happened shortly after…

Writing Mysteries and Thrillers

Posted on by Brenda Poulos

45294491124_2720f0b892

Mysteries and Thrillers are cousins to Suspense, but they differ in focus.

In a suspense, something is about to happen.

In a mystery, something has already happened.

In suspense, the protagonist strives to get out of a puzzle.

 

 

In a mystery, the protagonist often strives to get into a puzzle.

A mystery, focuses on the crime, which usually happens early in the book. The rest of the story centers around the hero’s pursuit of the villain.

Now, about thrillers: The are extremely fast-paced, whereas a suspense story can have just about any pace.

A thriller is large in scale, perhaps involving the fate of the world as we know it—and the hero often knows who the villain is.

The focus of a thriller? Stopping the villain.

And, it’s as simple as that.

“How-To” books you may be interested in:  Writing the Mystery by G. Miki Hayden; Writing and Selling Your Mystery Novel by Hallie Ephron; How to Write a Damn Good Thriller by James N. Frey; and Writing a Killer Thriller by Jodie Renner.

Famous Mystery and Thriller writers: Lee Child, Stephen King, John Grisham,       James Patterson, Michael Connelly.

(Next week, we’ll talk about the difference between classic fiction and fan fiction).

————

And, the Winner Is…

Posted on by Brenda Poulos

 

14753462889_a662d736e3

 

I usually choose the subject for my blogs based on what I am most interested in at the moment or what I want to learn.

Today, I asked myself “Who is the best-selling fiction author of all time?” Here’s what I found out:

Topping the list with 4 billion books sold is Agatha Christe.

Behind her, is Wm. Shakespeare, who sold 2 billion books.

It probably wouldn’t surprise you that Danielle Steele, Sidney Sheldon, JK Rowling, and Dr. Seuss are also in the top ten.

Stephen King has sold 300 million books, Louis L’Amour sold 230 million, and James Patterson sold 150 million.

John Grisham has sold 100 million and is in the top 30, along with Nora Roberts, who sold more than 200 million and CS Lewis, with 100 million in total sales.

(Note: These are original sales. The resale market does not report number of sales for specific authors).

Most of the top sellers are in the Suspense/Detective/Thriller, or Romance categories. 

Most famous authors have written more than 40 books and are American or British.

The person who has written the most fiction books? Spanish writer Corin Tellado is credited with writing over 4,000 Romance novels!!!

Fascinating…daunting…inspiring.

 

What Makes a Book Worth Reading???

Posted on by Brenda Poulos

 

30421936831_9a0f04bd45

 

I love to read.

I read a lot of books.

I post a lot of reviews.

When deciding what I liked about a book, I don’t look at things like writing style, typographical errors, or if certain elements showed up at exactly the right number of pages into the book. I’m not reading to be critical of someone else’s work.

I have my reader’s hat on and I am reading for enjoyment or for information. If what I am reading delivers, I am a happy camper.

So, in the case of reading fiction, what is it that makes a book enjoyable for the masses?

Here are a few observations. (Please feel free to write in and add any to the list that I may have forgotten).

I like a book when

  1. I have empathy for the main character, especially if they are the “under-dog” or are hurt or in a difficult situation which they are trying to change.
  2. I value one of the traits he/she has—love, courage, loyalty, etc.
  3. There’s not too much backstory.
  4. There is a nice balance of suspense and humor.
  5. If, by their actions and emotions, the characters seem “real.”
  6. There is enough description so that I can visualize the setting and the characters.
  7. The story doesn’t drag on and on way past when I feel it should have ended.
  8. There is a sentence or two at the end of each scene/chapter that makes me want to read “just one more”—and, often, late into the night. (I just have to find out…)
  9. The story isn’t totally predictable. If it twists and turns, making it a challenge for me to figure it out too readily.
  10. The hero succeeds/“wins.” That doesn’t mean that it must end the way I predicted. In fact, not at all. But, if the hero learns something or is in a better position at the end of the book than when the story began, I am satisfied.

 

I”ve Gained Weight on a Steady Diet of Writing

Posted on by Brenda Poulos

I have come to the conclusion that writing and dieting definitely do not mix.  If you have been writing for any length of time, you may have found this to also be true in your own life. If you have an answer for this problem, please let me know—seriously.

First of all, I find that when I am heavy into writing—especially when writing something that is very exciting—I find it difficult to get adequate sleep. I’ve tried 1) staying up late so that I am very, very tired when I lay down  2) stopping writing at least an hour before I go to bed so that I don’t have my story on my mind.

Both of those help…sometimes.

I also find that I wake up in the middle of the night, thinking about my characters, and cannot get back to sleep. I give it a half hour. If I don’t fall asleep, I just go ahead and get up. What’s the use in tossing and turning for the rest of the night?

What does sleep have to do with weight control? The latest research says that getting a good night’s rest helps with weight loss. The reverse is also true. Not enough sleep results in weight gain.

Secondly, writing—again, this is especially true of writing something exciting—causes me to snack. The faster I type, the faster I shovel it in. The more suspenseful the writing, the more I am likely to go for something small and easy to pop into my mouth. My favorites are popcorn and nuts.

Finally, writing is a sedentary activity. We writers need to get up and move around every hour or so to clear our brains, stretch our muscles, and burn a few calories (especially if we have a snacking problem to counteract).

I belong to an exercise group which meets, daily. I feel successful if I get myself there twice a week. Because it meets at the beginning of the day, I often find myself skipping it and going directly to my writing, thinking that it is wasting precious time, when I know, in fact, that it is good for both my body and brain.

I guess I will never write a cookbook. I can just imagine what might happen to my weight if I focused on yummy recipes all day long!

Brenda