Head-Hopping

Even though my posts for the last five years are archived on my website, www.brendapoulosauthor.org, I know that it isn’t convenient for many readers to search around for information. So, for the next few weeks, I am going to be re-posting some of those which generated the most questions/comments from readers.

I hope they are useful and encouraging!

Here is the first:

 

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I love to get freebies, don’t you?

Over the past few weeks, I have downloaded several free fiction books.

Some were absolute jewels. Others … well …

That’s the way it goes in the world of “free.”

One of the books contained a LOT of head-hopping. Although the story and characters were enjoyable (that’s why I kept reading) the intermingled flow of dialogue, description, and emotion from various characters within the same paragraph made the story difficult to follow.

A reader shouldn’t have to constantly wonder who is speaking and whose thoughts are being revealed. Avoiding head-hopping is essential for writers—and it is so easy to do:

  1. In each scene, establish your point-of-view character. Although other characters can be in the scene, can show action, and speak dialogue, only the POV character can share their thoughts and perspective.
  1. Each paragraph should have only one character. When you want to change characters, simply start a new paragraph.
  1. When you want to change POV characters, begin a new scene.

Within the same paragraph (even within the same scene) don’t allow yourself to hop back and forth from one character’s thoughts and perspective to another’s.

If you confuse your reading audience in this way, even the most interesting characters and enjoyable dialogue may not be enough to keep them reading to THE END.

Haircuts and the Writing Cycle

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I hate my hair the first week after getting a haircut. It is shorter than I like and it doesn’t style easily. Each hair wants to do its own thing. 

The next two weeks, my hair seems to go into place without a problem. I love my hair during this period.

Weeks four and five are a gradual downhill decline. My hair grows longer and is “top-heavy.” I have to put more and more effort into styling to get it to look halfway decent.

Then, there’s the day of my next haircut appointment. All of a sudden my hair does me proud and I question whether I should keep the date with my stylist.

This morning as I glared at my recently-cut locks in the mirror, I thought about the writing cycle and its similarities to hair growth/cuts.

Even though I am excited when I begin a new book, the process isn’t without its problems. The first chapter is the hardest because it sets the story up and builds the momentum. Characters need to be developed and “gel” with each other. I inevitably spend time taming them all down and helping them find their “place” and “purpose.”

The following chapters are pure fun. As one officer on the television show SVU says, “I love it when a plan comes together.” It is so rewarding when those puzzle pieces fit together and become a beautiful picture of life as I imagine it.

Nearing the end of the book, I get a bit testy. Writing the conclusion, weaving in the lesson learned by the characters and preparing to write a satisfying epilogue are more difficult—and although I enjoy editing someone else’s work—the editing process is slow and laborious when it comes to my own. 

As I wait for comments to come back from my Beta Readers, I reflect on the multiple edits and rewrites I have done myself. I think about how much time and money I could save if I would skip the formal edit and go directly to PUBLISH.

But, just like the times I’m facing the haircut/no-haircut dilemma, I know I will contact my editor and set the appointment. 

After all, I want to like what I see in the mirror.

  

 

Don’t Always Listen to Your Mother

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I am one of the contest coordinators for the upcoming Rattler Writing Contest, sponsored by Christian Writers of the West. 

I have been encouraging beginning writers to enter when the contest opens on August 1.

They are often hesitant because they don’t feel they have a chance to win, when put up against more experienced authors.

However, winning shouldn’t be the primary reason to enter a contest. (Remember, there will be only one grand-prize and perhaps lesser “category prizes.”)

In my opinion, the major reason for entering a contest is the feedback from the judges.

Those few paragraphs are golden nuggets—suggestions to make your writing more exciting, your characters more interesting, your plot stronger.

Once you receive your feedback, reflect on what the judges have written. It is so easy to become angry and just throw their words in the trash, but remember why you entered—and their status in their field—and give careful consideration to what they have said. Writers must develop a thick skin, bearing in mind that the goal of critiques is to HELP you. 

You can always find a friend or relative to validate your writing and tell you how wonderful you are. 

But, if you want useful suggestions, then choose your contest wisely, SUBMIT your best work, and seriously consider the judges’ comments.

Try Writing Backwards

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You are beginning to write Chapter Six.

Before you start to type, you ask yourself how the chapter fits into your overall plot. What do you want to include? How should the chapter begin?

You’re stuck.

But, if you do know how you want the chapter to end, try this:

Start at the end (the part you do know) and write backwards until you get to the beginning scene of the chapter.

Even if you’re not stuck, you may find this to be a great exercise. You will be forced to focus on exactly where you want to take the reader—from point A (beginning scene) to point B (the cliffhanger that makes them want to read more).

Sometimes simply getting a visual of where you want to end will inspire you to write a stellar beginning.

Auto-correct?

Murder She Wrote

 

For all of the plusses of a computer over the outdated typewriters—and we all know there are many—some of the drawbacks can be annoying. Writers, especially, must be vigilant in monitoring all of these “helps.”

For instance, don’t depend on the auto-correct function.

I entered the word yarn incorrectly, spelling it as yard. It was the wrong word, but since it was spelled correctly, the computer left it as I had typed it in. I found it later as I was rereading, but still…

Not long after that, I entered the word heart several times. Each time, I noticed the “t” disappear right before my eyes, leaving the word hear. I am not sure why this happened, but again, the word was spelled correctly, but definitely not the word I intended to use.

One last example: I wrote the name Jaxon. I am sure you’re not surprised to hear that it was auto-corrected to Jackson. No matter what I did, I could not get my computer to accept the altered spelling. 

I am sure there are ways around these difficulties—and many others—it just takes persistence in searching out the culprit and overriding the function. 

If you have run into other problems, or have the answer to the few I have described, please share your information.

Until then, type carefully. Reread often. Or, you want to get that old Remington out of the closet and create your manuscript the old-fashioned way!

 

Grab a Bucket of Balls

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Should writers strive to be prolific or perseverant?

Hmmm. Prolific, meaning to produce a high volume of work, would definitely make an author feel successful.

But, perseverant? Steadfastness in doing something despite difficulty or delay in achieving success. That would be a necessity, wouldn’t it?

Seems to me, it isn’t a matter of prolific vs. perseverant. 

Both are necessary.

If writers persevere, then being prolific must surely follow.

A daily regimen and good old-fashioned dedication will go a long way in helping authors to keep at it. Success doesn’t happen all of a sudden. 

A foundation based on a solid work ethic and perseverance toward a goal is the key.

As I sit at the computer, I look out my window at the 14th hole of a beautiful golf course. A few minutes ago, I saw a guy make a hole-in-one. WOW!!! 

He would probably say that it was a shot that was a long time in the making… that he didn’t just walk out today and start playing for the first time in his life. It probably began years ago with hitting bucket after bucket of balls on the golf range, taking lessons, watching pros play, and days spent out in the heat perfecting his game.

His perseverance should pay off in his shooting hole-in-ones more frequently. Just like writers or those who become excellent at any other profession, it takes commitment and practice.

The only difference? 

Our bucket of balls looks more like a keyboard and a monitor.

 

Truth or Dare

 

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A year ago YESTERDAY, I published Simon Says.

At that time, I promised myself I would publish the second book in the series within a year.

I began to write. I had a few set backs, but I persevered. 

It felt like I had been writing for a decade, but I never really looked at the calendar until yesterday, when Amazon informed me that Truth or Dare was live on their site.

I went into my Bookshelf on Amazon and looked for the publish date of Simon Says. To my surprise, it was May 18, 2018. 

Exactly one year!!!!!

Wow. I can hardly believe it. 

If I did it once, surely I can do it again. 

My goal is for Tug of War (book 3 in the Simon Says series) to be published by May 18, 2020—or sooner.

Stay tuned!

 

Reach for the Moon

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From the dreaming to the writing to the publishing and marketing, there is far more to getting your book ready for the consumer than you probably ever imagined.

Think back to the day when the desire to write was born within you.

Now, remember the books you’ve read, the conferences you’ve attended, the podcasts you have watched, the associations you have joined.

Consider the people you have met along the way and their influence on you, the bookstores and libraries you have visited as your dream took shape.

The average reader probably has no idea how many hours you have spent writing, how many nights you stayed up late, how many early mornings you drug yourself out of bed to write while your family remained snug in their beds.

Someone once said that the harder you work for something, the sweeter the reward. 

That person must have been a writer.

The reward isn’t always monetary. Sometimes it is simply in a job well done… a knowing that you persevered… that you saw the task through to THE END.

Sometimes it’s a particularly meaningful review. Perhaps it’s a note of thanks from someone letting you know how your words impacted their life.

Don’t give up.

Keep on Truckin’.

Hang in There.

Because one day you’ll be doing that Happy Dance.

It will have all been worth it.

Does This Back Cover Copy Tempt You?

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Back cover copy is important. People read it hoping it will give them clues  as to what the story is about, how the book ends and if it reading it will be worth their time spent.

From an author’s perspective, it is an opportunity to tempt the reader into reading their book by hooking them into the story and hinting at the outcome.

Here is the back cover copy for my latest book. Does it accomplish its purpose? Only time will tell…

Truth or Dare is a childhood game—or is it?

Simon Wilson is a bully. A Thief. An Accomplished liar.

But the biggest lie of all is not one he has told. It’s one he believes.

It’s the one that says he will never be good enough. He will never measure up. Never be worthy.

He is at a crossroads.

Will Simon continue to be deceived by the lie?

Or will he choose to believe the Truth?

Are You In Editing Mode?

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At it stands, now, I have gone through the editing process with six books. I learn more each time I get to this step in the publishing process. So, for what it’s worth, I recommend you use these people, in this order:

Do an ongoing edit of your manuscript, as you share your submissions with your critique group, chapter by chapter, from Prologue thru Epilogue.

When your book is finished, edit your manuscript yourself (at least a couple of times—more, if you are a perfectionist, like me).

Send it to your Beta Readers. They will catch a few things, too.

Send it to your Editor and make the suggested corrections.

Finally, let your Critique Group Read it in its entirety. Note: This is a new step. Here’s why I am suggesting taking the time to do this: my group accepts submissions from each other twice per month.

Often the chapters are out of order. And, because this process can take upward of one year, it is not like reading a book, chapter by chapter. They miss the flow and this especially affects the understanding of the timeline. (It isn’t their fault. These two factors make it almost impossible for them to give good feedback in this area).

If your critique group agrees to read each other’s work–all the way through, one last time–they will be able to experience your story from beginning to end and catch any glitches.

Yes, it is a bigger commitment and not for the faint of heart, but if you are truly committed to help each other be the best you can be, then the results can be of great value.

In talking with my group, they were positive about trying this approach—at least once.

I suspect it will be time well spent.