As Promised

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Second half of critique group questions from last week’s post:

6)  CONFLICT:

* Are character motivations powerful enough to create sufficient conflict?

* Is a potential for conflict established that is strong enough to move the story forward?

* Are the motives understandable?

7)  DIALOGUE:

* Is the dialogue between characters natural, purposeful, interesting, engaging?

* Does the dialogue contain emotion in a way that narrative cannot?

* Are the character’s voices distinct? Does each one have a different way of expressing themselves? Are their voices appropriate for the setting, genre, and time period?

* Is the dialogue believable?

8)  NARRATIVE AND POINT OF VIEW:

* Is the narrative well-placed with the dialogue, not overwhelming the reader?

* Is background information presented at appropriate times and in the correct POV?

* Is POV clear and consistent?  Are changes smooth and logical?

*Should I use a different POV?

9)  PACING:

* Has the author dropped the reader into the action?

* Does the story flow smoothly, freely, and logically?

* Does every scene move the story forward?

10)  STORY:

* Are the story ad plot elements compatible with the genre?

* Can you picture each scene in your head?

* Is the purpose of each scene clear?

* Does each scene move the story forward?

* Does the story hold your interest?

* Does everything in the story build logically, plausibly, and believable toward the end/climax?

* Where do you feel the story is heading?

* Do inspirational elements grow organically out of character or plot?

Your Book, One Scene At A Time

Tokyo Aug 2010 - The Fantasyland Characters go to get ready for

Your book will consist of chapters.

Those chapters will break down into one or more scenes.

Each scene should have a beginning, a middle, and an end. Something significant to the story should happen within each scene to move it forward. When the scene is finished, the reader should feel a sense of completion.

Within each scene, the characters should be actively doing something that makes the story feel as though it is happening in the here and now. (Yes, even if the story is set in the 1800’s, it should feel like it is happening now.)

Once the character reaches his objective, the scene ends.

Each scene should have three parts: Goal, Conflict, and Disaster.

Goal means simply what the POV character wants at the beginning of the scene.

Conflict is the series of obstacles the POV character faces on the way to reach his Goal.

A Disaster is a failure to let the POV character reach his Goal. If you end the scene with a victory, the reader is not compelled to turn the page. Make something happen so that the reader will want to see what happens next.

But a chapter is not just a series of scenes. It is built out of alternating scenes and sequels. 

 

Next week: The Sequel

MILK IT!

There are times when my Critique Group writes “Milk It!” when commenting on some of my scenes. What they are saying is that they want MORE than I have written.

MORE ACTION

MORE EMOTION

MORE INTERNAL THOUGHTS

MORE DESCRIPTION

MORE CONFLICT

Why? Because that’s what makes a story exciting and satisfying. If you want your book to be a real page turner, then a writer has to deliver ON EVERY PAGE.

DON’T SKIMP.

PLUMP IT UP. Use rich vocabulary. Lots of adjectives and verbs. Paint a visual picture.

Furnish the details. Let them get inside the characters’ heads by revealing their emotions via DIALOGUE, ACTIONS, AND THOUGHTS.

PUMP UP the plot. Make the content EXCITING. Make your reading audience want to keep turning the pages.

I know I have read books that were so exciting that they literally kept me up ALL NIGHT. I just couldn’t put them down.

That’s what writers want, isn’t it? To have our readers so completely drawn in by our characters and their journeys that they just can’t turn out the light and go to bed.

When I am done writing a chapter, I set it aside until the following day. Then, I read it again, with the eyes of a READER. I look to see if the first paragraph “hooks” me, if I want to keep reading to the end, and then if the closing sentence leaves me wanting more.

If so, I start writing the next chapter. If not, I look for where there is lagging action, conflict, emotions, thoughts, and/or descriptions. Then, I re-write, adding those elements.

I repeat the process until I am WOWED.

Then, it’s ready for the critique group. If they are WOWED, then I’m a happy camper. If they are WOWED, I know readers will be, too.

So if you have a nice little story which is lacking in PIZAZZ, why not make it a page turner?

Spice it up.

Change it up.

Shake it up.

MILK IT!!!!

Brenda